VIRGIN STEELE Frontman Talks About Upcoming CD

April 11, 2006

Aural Fix magazine recently conducted an interview with VIRGIN STEELE frontman David DeFeis. An excerpt from the chat follows:

Q: I know you've spent a lot of time into the making of the upcoming VIRGIN STEELE CD. Can you share a little, or a lot, about what the fans can expect, regarding the overall theme of the album, upon its release?

DeFeis: "I am mixing now, and all is going pretty well. If the pace continues, then it will most likely be available in the autumn. Anyway… the new album is an epic work based on what happened to paganism and gnosticism and the desecration & eradication of the Goddess principle, due to the rise of the 'father-god' principle and then later the rise of 'organized' religions. It concerns Lilith and ancient Sumerian myths. It is a very dark work. It is perhaps even darker than the darkest VIRGIN STEELE moments. It is more nocturnal, autumnal, celestial, vampiric, paganistic, lunar, underground and in general more extreme. The brutality is if possible even more brutal (especially mentally speaking),and the tender moments are incredibly melancholy, tortured, forlorn and torn. It is a music full of eternal longing, suffering and regret. Long smoldering passions, lust and despair ignite, consume and die... In the end... a type of hope arises. Not always the 'all-conquering triumph ideology,' but a sense of merging with the perennial consciousness of the universe, where one day.... a rebirth of sorts might follow... a beauty born of grief. I am using more piano or acoustic guitar combined with very deeply tuned heavy guitars. Vocally it is very, very melodic, and I can be tender, aggressive, and bluesy. At times the vocal style is like the bluesy singing on the 'Life among the Ruins' album, only the music and melodies here are very, very different. 'Lilith' is verytmospheric. There are big epic anthemic pieces, with always sing-ble and memorable 'hooks,' but there is also a dark, brooding, moody, impressionistic, quality that manifests itself throughout. There is over-the-top orchestration, yet simplicity. Nothing is done for the sake of overindulgence, or complexity for complexities sake. Everything is in proportion, balance and effective for the feelings/sentiments in question. It is a new development, I think. A further progression of my compositional style."

Read the entire interview at this location.

Find more on
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).